The megalithic site at
Brúgh
na Bóinne, known in English as
Newgrange
,
is strongly associated in mythology with the god Aonghus, a son of the
father of the gods of the Tuatha Dé Danaan known as the Dagda. Aonghus was called "Mac Óg", or Young Son. This
Irish equivalent of Eros
was an eternally youthful
exponent of love and beauty. Like his father, he had a harp, but it was made
of gold, and not oak, as the Dagda's was; and so sweet was its music that
no one could hear and not follow it. His kisses became doves which
hovered invisibly over the young men and maidens of Ireland, whispering
thoughts of love in their ears. The legend of Aonghus's birth, and of
his eventual resting place, are both entwined with the ancient tomb of Newgrange.
The story goes that the first inhabitants of Brúgh na Bóinne were the goddess
Bóann and her husband Nuada Nechtan, otherwise known as Elcmar, "the envious
one". The Dagda, father of the gods, lusted after Bóann. He sent Elcmar on a
journey which would take a night and a day, so that he and Bóann could spend the
night together. The Dagda then put a spell on the sun, causing it to stand
still in the sky, stretching one day and night to a duration of nine months, during which time the Dagda
lay with Bóann, and she bore him a son, Aonghus, whom she called Mac Óg because
"young is the son who is conceived at the start of the day, and born between
that and evening". When Elcmar returned, believing that only a day and night
had passed, he remained ignorant of events, as the Dagda had taken Aonghus to
the rath (fort) of Midhir, where he was trained to be a champion hurler.
However, some years later, during a quarrel with another player, Aonghus learnt
of his true parentage. At that time the Dagda was distributing the Sídhe among
the gods, and Aonghus decided to go to the Dagda to seek his rightful heritage.
The Dagda told him that there was nowhere left for him, but that he should go
to Brúgh na Bóinne at Samhain and demand possession of the Brúgh from Elcmar
for a day and a night. This he did, but when the time was up, Aonghus refused
to leave the Brúgh, claiming that he had been promised the "day and night" of
which eternity is composed. Elcmar then called on the Dagda to give his
judgement over the situation, and the Dagda ruled that "it is indeed in day and
night that all time is spent". So, through a play on words, Aonghus gained
possession of the Brúgh for all time.
Aonghus held splendid court at Newgrange
. But one night he was visited in a
dream by a beautiful maiden,who vanished when he put out his arms to embrace
her. All the next day Aonghus took no food. Upon the following night, the fair
apparition came again, and played and sang to him. That following day he also
fasted. So things went on like that for a year, while Aonghus pined and wasted
for love. Eventually the physicians of the Tuatha Dé Danaan prevailed upon him to act.
His mother Bóann was sent for, and she persuaded the Dagda, his father, to send
to all the lesser deities of Ireland, charging them to search for the girl. After a
year she was found by Aonghus's brother, Bodbh the Red, who brought him to see
her. Her name was Caer Ibormeith, meaning Yew Berry, and when Aonghus saw her,
she was standing by a lake surrounded by one hundred and fifty maidens linked together
by a silver chain. But when Aonghus asked her father for her hand in marriage
he revealed that there was nothing he could do, as his daughter was a
swan-maiden.
Every year, as soon as summer was over, she went with her
companions to a lake called Lough Dragan, "The Mouth of Sloes", and there all
of them became swans. On the advice of the Dagda, Aonghus went to the shore of
the lake and waited with patience until Samhain, the day of the magical change,
and called to her.
Caer appeared along with a hundred and fifty swans, herself a swan
surpassing all the rest in beauty and whiteness, and promised to be his bride,
if he too would become a swan. He agreed, and with a word she changed him into
a swan. Together they flew three times around the lake, and took off side by
side for Brúgh na Bóinne, where they put the dwellers of that place to sleep for
three days and three nights with the magic of their singing. At Aonghus's
palace they retook human form, and have lived happily there ever since.
The Celtic art images in these web pages are by Jim Fitzpatrick,
one of the most talented and respected Irish artists ever to wield a paintbrush.
Please do not use these graphics without contacting him regarding permission to do so.
You can see more of Jim's amazing work here.


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